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OUR STORY

Built on Blacksmith Bricks

From plantation stables to omnibus yards to the porch where you will rock tonight. This ground remembers everything.

COLONIAL ERA

The Plantation That Drew the Map

Before there were streets, there was sugarcane.

H.H. Slawson operated a plantation and the Washington sugar mill on a tract bounded by the roads known today as Clouet, Royal, Chartres, and Louisa.

The original Slawson plantation house is gone. Lost, like many grand estates within the city limits, to the rapid urbanization of the late 19th century. But its legacy is written into every block. Around the corner, The Country Club, built in 1884 on what was once plantation land, reimagined as a legendary social club in 1977, and restored to its original grandeur between 2014 and 2017, is one of the neighborhood’s most beloved gathering spots.

By the early 1800s, the sugar mill gave way to progress. The property was divided into ten lots among the family, including the original stables at the corner of Louisa and Chartres, and the adjacent blacksmith shop.

Those two parcels would change hands, change purpose, and change the neighborhood. They would also, a century and a half later, become Bywater Cottages.

PRE–CIVIL WAR

The Rough & Ready Omnibus Line

J.B. Slawson combined the stables with the blacksmith house and launched The Rough & Ready Omnibus Line, named after General Zachary Taylor, a fleet of twelve-person horse-drawn carriages that clattered along the cobblestone and "Belgian block" streets of antebellum New Orleans.

The omnibus was the precursor to the streetcar. Before the iron tracks were laid, before the electric lines hummed overhead, this is how the city moved.

Slawson’s operation expanded the stables, grew the routes, and laid thousands of bricks, layers deep, to support the weight of the parked carriages and horses.

The full story of Slawson’s transit empire, his fare box invention, and how he used a bus line to build a neighborhood →

Those bricks are still here. They sit beneath the foundation of the Victorian cottage where guests sleep today. Handmade, irregular, dense with the labor of another century. You are, quite literally, staying on top of New Orleans transit history.

1867 – 1892

The O’Connor Homestead

The Civil War ended the omnibus era. Streetcars arrived, and the horse-drawn lines fell silent. As Slawson transitioned his focus to New York, he sold three critical lots, part of his original ten-lot family tract, to Mary O’Connor between 1866 and 1868. This was more than a real estate deal. It was a passing of the torch.

Mary was a woman of significant means. In 1868, she commissioned an Italianate Creole Cottage, not a modest dwelling, but a statement property. By 1870, her sister Ann O’Connor had taken the helm. The Federal Census that year lists Ann as head of household with a real estate value of $3,000, placing her in the top tier of Ninth Ward property holders. The property passed from sister to sister, women deliberately transferring economic power to each other in Reconstruction-era New Orleans. That historic cottage still stands today as part of Bywater Cottages, and it is one of the last surviving examples of this architectural form in New Orleans. The property is currently being nominated for the National Register of Historic Places.

The O’Connor sisters’ full story: the ten parlor rooms, the river-facing balcony, and what the census really tells us →

Then, in 1892, the old blacksmith shop was razed, and in its place rose a graceful Victorian shotgun house.

The builders did not remove the omnibus bricks. They built on top of them.

1868

Main Cottage

Italianate Creole Cottage

1892

Guest House

Victorian Shotgun

Two eras of New Orleans architecture, side by side, on ground that had already lived three lives.

20TH CENTURY

Rise, Fall, and Renaissance

For most of the twentieth century, the Bywater was a working-class neighborhood. Its residents serviced the wharves along the muddy Mississippi.

1984: The Speculation Era

The Louisiana World Exposition drew real estate developers like moths to a lantern.

  • Investors bought up blocks of homes expecting a windfall
  • When the economy turned, they stripped the architectural elements: millwork, mantels, transoms, ironwork
  • Converted hollowed-out houses to Section 8 housing
  • Within 15 years, the neighborhood’s historic character was being erased

1990s: The Artistic Revival

But the Bywater has always attracted people who see what others overlook.

  • They saw the original plaster behind the drywall
  • They found the cypress beams under the drop ceilings
  • They brought these houses back, one at a time, with sweat equity and conviction

2005: Katrina

Hurricane Katrina could have been the end of the story. Instead, it became a turning point.

The storm reminded the city, and the neighborhood, of what it stood to lose.

  • A renaissance of restoration and independent business
  • The murals went up
  • The cafes opened
  • The music never stopped

1990 – 1992

The Reunion

In three consecutive years, Michael Ferweda reassembled what time and commerce had pulled apart:

1990

Purchased the corner lot at Louisa and Chartres, the former plantation stables

1991

Acquired the first lot of the old blacksmith shop grounds

1992

The Victorian shotgun house rejoined its companion, reuniting the O’Connor sisters’ original homestead

All of it, whole again:

  • The 1868 Italianate Creole Cottage
  • The 1892 Victorian shotgun
  • The omnibus bricks beneath the soil
  • The property lines H.H. Slawson first drew across the sugarcane fields

Today, Bywater Cottages is a living piece of the neighborhood’s history. Not preserved behind glass, but open, welcoming, and still accumulating stories. It is, as far as we know, the only New Orleans vacation rental with history you can trace back to the colonial sugarcane fields.

Why It’s Called the Bywater

Before it was called the Bywater, this area was known as Faubourg Washington, "Little Saxony," or simply the Upper Ninth Ward. The modern name came from an unlikely source: the telephone.

During the rotary phone era, telephone companies assigned two-letter exchange names to local grids. The letters B-Y (2-9 on the dial) were assigned to this neighborhood, a literal nod to the geography, since the area sits directly "by the water" of the Mississippi River and the Industrial Canal. A naming contest, a high school student’s winning entry, and by 1949 the name was official. The full naming story →

MF

Michael Ferweda

ON THIS PROPERTY SINCE 1990

YOUR HOST

That is not a typo. He has been here for over three decades. Longer than most of the restaurants, bars, and galleries that now define the Bywater. He watched the neighborhood’s artistic revival firsthand. He weathered Katrina from this ground. He knows which oak trees survived and which ones did not.

What You Get When You Book

  • Michael coordinates your arrival personally
  • Available if you need anything during your stay
  • Ask about the property’s history? Clear your schedule
  • Restaurant picks, festival tips, and neighborhood secrets from a 30-year resident

What Guests Say

  • He shares his knowledge of local history generously
  • His recommendations are specific and trustworthy
  • He genuinely cares that your stay feels like more than a transaction

He lives on the property. This is his home, his project, and his neighborhood. You are not renting a unit. You are staying in a place someone loves.

THE PROPERTY TODAY

Three Decades of Love, One Season at a Time

Step onto the bayou-style front porch and you will understand immediately: this is not a renovated investment property with staged furniture and a ring light in the bathroom. The rocking chairs creak. The gardens are real. In the evenings, cicadas and tree frogs take over.

Entry Garden

Stacked stone water feature with LED accents glowing at the base of the porch steps.

Courtyard & Gardens

92 feet of living walls, multiple seating zones, a hand-painted hibiscus mural, bronze sculptures half-hidden in the foliage.

Pavilion Stage

Professional aluminum truss with programmable LED lighting, lounge seating, outdoor TV, and gas firepot.

Rooftop Deck

Panoramic New Orleans skyline views. On celebration nights, watch the fireworks without leaving the house.

Michael built all of this over three decades, one season at a time. Not in perfection, but in the kind of depth and personality that only comes from a place someone actually lives in and loves.

Inside the 1892 Victorian

  • Original hardwood floors run the length of the shotgun layout
  • Room opening into room in the classic New Orleans style
  • High ceilings, warm light, comfortable modern furnishings
  • The bones of the house, the proportions, the weight of the doors, belong to another century

The Rough & Ready Omnibus Line is gone. The blacksmith shop is gone. But the bricks remain, and you are standing on them.

A NEIGHBORHOOD LEGEND

A Note on Roy Markey

No telling of this neighborhood’s story is complete without raising a glass to Roy Markey.

4

GENERATIONS

1908

ESTABLISHED

117+

YEARS

Roy runs Markey’s Bar, just around the corner on Royal and Louisa Streets. His family has operated the bar since the early 1900s. Four generations of Markeys, from the same corner, through two world wars, through the wharf years, through the decline, through Katrina, and through the renaissance.

In a city that celebrates its legends, Roy is the real thing: a fourth-generation neighborhood anchor who never left, never sold, and never stopped showing up.

Michael considers Roy a pinnacle of the Bywater community. He deserves to have a glass raised in his honor.

YOUR CHAPTER STARTS HERE

Add Your Story to These Walls

This property has been a plantation stable, an omnibus yard, a blacksmith shop, and a homestead. For the past thirty-five years, it has been a labor of love. Now it is your turn to add a chapter.